"Great Guys, Bad Women?" II

[00:00:01] Speaker A: Like now. Just start recording. All right, so we ready? I'm ready. Okay, give me a second. Okay, let me stop my camera, as they say. Oh, look at you with the T. The T. The T, as they say. The messiness. The messiness. All right. Oh, wait, let me see. I got this. [00:00:25] Speaker B: Cute. [00:00:26] Speaker A: Give it up. The lover. Yes. Okay, come back to this. All right, so let's record in 5, 4, 3, 2, 1. Crap. I'm have to edit this out. Why? I don't hear anything. Georgia, do you hear anything besides me? [00:01:10] Speaker B: No, just you. [00:01:12] Speaker A: Betty Davis Saved My Life with a. Well, usually works when you press the play button. So let me go back. I'll have to edit this. That's okay. [00:01:25] Speaker B: Is it raining real hard where you are? [00:01:27] Speaker A: I hear a thunder and lightning, so. [00:01:31] Speaker B: It'S coming down hard over here. [00:01:34] Speaker A: Oh, wow. Greetings, everyone. Okay, wait, can I trash this or can I. Yeah, let's restart. Restart the rest corner one. This is Moya with How Bette Davis Saved My Life with the new segment for How Bette Davis Saved My Life, Life lessons from classic Hollywood called Late to the Party. As you can hear, the party is already starting. I'm starting over. Okay. [00:02:09] Speaker B: Okay. [00:02:20] Speaker A: Greetings, everyone. This is Moya with How Bette Davis Saved My Life with a new segment for How Bette Davis Saved My Life, Life lessons from classic Hollywood called Late to the Party. As you can hear, the party's already started. And what I mean by Late to the Party is recent movies that Georgia and or I have recently seen and you've probably already seen, but we want to talk about it. So sit back, relax, and enjoy this brand new segment of How Bette Davis Saved My Life, Life lessons from Classic Hollywood called Layton the Party. All right, and thank you guys for tuning into another segment of How Betty Davis Saved My Life, Life Lessons from Classic Hollywood, Late to the Party edition. And this is more like a part two of Late to the Party. And of course, I have Georgia back here with me in my bar scene at my favorite club, Club Betty, okay. Where all the drinks are on me for any Betty Davis fans. So, Georgia, what do you want? Hey, Georgia. Hey, Georgia. What do you want? Georgia, what are you drinking? [00:03:45] Speaker B: Well, given the theme of today's show, I'm gonna have. Help me decide. I'm gonna have either a Between the Sheets or a Sex on the Beach. [00:03:58] Speaker A: I love it. So if you don't know, if you were not here for part one of this, it's my turn. Featuring Jill Clayberg and Michael Douglas. I roasted her skinny behind. Okay, for being a hobby. Horrible, horrible girlfriend to the Charles Grodin character. Homer. It's on YouTube. Go look at. It's my turn to see why I dissed her butt. And Georgia, how did you feel about it? And overall. [00:04:39] Speaker B: Overall, I thought I was watching a slow motion train wreck. Oh, my gosh. I was thinking, girl, don't you do that. No, thank. No, stop. Don't let your hormones take over. No, no. [00:04:59] Speaker A: Right. So if you don't know, like I said, we're not gonna go all, all over that again. The video is uploaded to YouTube. It's YouTube had that. They edited the heck out of the video because it had a lot of copyright stuff in there. But it's still coherent. So I, you know, you'll see the apology for all the jump starts and everything, but, you know, it's fine. But go look at that because it's. It's my turn. 1980. It's about this. This woman, Kate, who don't know what the heck she wants, but wants it all. Nah, you figure that one out. Okay, so I'm just showing a little brief trailer and I'm gonna get off of that. I don't want to get copyright struck again. So anyway, and she has a living boyfriend who I thought was cool. I mean, nobody's perfect. But it seemed like he cared about her then. But she goes and meets Michael Douglas character who is soon to be her, I guess, stepbrother. Cause her, his mom and her dad are getting married. And like Georgia said, she's a train wreck. She's an absolute freaking train wreck. So go check that out. So I roasted her behind. Georgia was a little bit more nice. So I'm gonna see what we're gonna do on this one. If George and I are gonna diverge or whatever. And that's fine. You know, we don't always agree with each other. So our first. So we're trying to do them in chronological order. So our first movie is the Other Lover, starring none other than. I always have to say the Bionic Woman, because, you know, we loved her as the Bionic Woman. I'm gonna tell that DJ to cut some of that music down just a tad bit for us. But yes. So the Other Lover starring Lindsey Wagner. We're gonna pull it up for us in a second. And Georgia, I don't know if. Because this, this is, you know, Georgia, usually she's a special guest on Laser to Party. I don't know. Did you have time to do any research or if not, I mean, that's cool. I'M getting you on the spot or you just looked at it? [00:06:59] Speaker B: No, I just looked at it, but I just scribbled this down. I mean, she plays this publishing executive, and she's married to this handsome, needless to say, wealthy cardiologist. And she's got two beautiful children, and she has a client who's an author, and they have this. What I would best describe as a truly torrid affair. [00:07:26] Speaker A: Yeah. So Jack Scalia. He looks good. I don't know if he still looks like this now, but he was always a good looking guy. [00:07:34] Speaker B: Oh, yeah. [00:07:34] Speaker A: And here's Lindsay Wagner. And where's the husband? Why? They don't have a cast in here. That's crazy. Where is he? What? Where's the husband? [00:07:46] Speaker B: Yeah. [00:07:47] Speaker A: Oh, my gosh. Let me go find. Well, I had it. Here it is. Okay. Is this the trailer? Let me just. Let me share this instead. So, yeah, Georgia, wash your. Whilst I'm finding this, if you want to just give him a little brief synopsis. I mean, he pretty much did, but look how beautiful San Francisco was. He. [00:08:12] Speaker B: What was is right. [00:08:13] Speaker A: Was not you, ma'. Am. We almost see you. So. Yeah, it's in. It's in Frisco. Okay, let me pause it right here so you can see. It's very scenic, but, yeah, where in the world is the dad? So go ahead, Georgia, whilst I'm looking for this stuff, if there's anything you want to say. [00:08:35] Speaker B: You know, they also have Alyssa Milano, who plays the daughter. [00:08:38] Speaker A: No, it's Shannon Doherty. [00:08:40] Speaker B: Oh, I'm sorry. Shannon. Oh, I stand corrected. Shannon Doherty. Good heavens. Okay. Sorry. The two of them used to really feud, I think. But anyway. But, you know, they start out as, you know, a little bit of, you know, a little bit of cat and mouse. Like a lot of interesting love stories or movies start out, and then you see where the attraction gains hold. And my problem with this is I thought what was wrong with the husband she was married to? Because I thought he seemed, you know, I couldn't find any obvious flaws in him. [00:09:18] Speaker A: Right. [00:09:19] Speaker B: And I was thinking, was she just craving the excitement, the allure of, like, a secret little thing going on? And, man, things got out of hand quick. I mean, at times I thought, jack's gone. Kalia is. [00:09:37] Speaker A: Oh. [00:09:37] Speaker B: As gorgeous as he is. [00:09:38] Speaker A: Right. [00:09:39] Speaker B: Man, there was times I thought, he's stalking her. He shows, she gives a party. He shows up at the party that she's giving. He was not invited. He shows up and he's like, here he is. He's all through her house. And Her. [00:09:51] Speaker A: And I'm like, oh my God, that was weird. [00:09:54] Speaker B: Turning. It was. Yes, that was weird. Oh man. [00:09:59] Speaker A: She didn't. So like, like Georgia said, their relationship started out. They, they even met by accident. He. She hit his car and you know, she's too busy. She's like, oh, here's my car. Let me know the damages. So she's running off to a big time job, you know, whatever. And I said, these are people. She's rich. Got it. She got it all. And I'm trying to find the husband so you can see him and I'll come back to it. So yeah, here's she and adoredy. She was so sweet and innocent. Acting, acting. And let's. Girl, where is the husband? Okay, that's. Is that him? No, I'm sorry guys, I'm scrubbing through this. [00:10:49] Speaker B: His name is like there's Perry in his name, I think. [00:10:53] Speaker A: Well, no, that's the. Okay, here he is. Okay, so I'm just gonna. So he's the doctor. Yeah, girl. So look, this is him outside. That hot girl. She turned him inside out. That poor man. And that man was minding his business. Okay, so let's, let's go back to this. I'm sorry, we're all over the guys. Yeah, you're right. John Bennett Perry. Let me share this instead. I'm sorry. He was been here the whole time. I am so sorry. [00:11:26] Speaker B: Yeah, that's him. [00:11:27] Speaker A: That's him. I, I. You know who I had in my mind because he usually plays these dopey behind husbands. What's either Bo Boswick plays the, the cuck. Bostic boss, whatever the name it. Barry Bostick. [00:11:39] Speaker B: Barry Bostwick. [00:11:40] Speaker A: Yeah. Plays the cuck or the dude who a real life cuck maybe. Barbara Streis ass husband. What is his name? The dude? He's a blown hotel. He's gorgeous. What's his name? [00:11:56] Speaker B: Brolin. [00:11:56] Speaker A: Brolin. Yeah, him Boswick or Brolin usually plays the cucks. So in my mind I got it confused. But this poor. Yeah, so this guy here. So like Georgia said, this man is super successful. She has it. Also, Georgia, you were thinking that maybe the, the excitement of the affair is what? I'm sorry. The excitement of the affair and something different than her husband. You think that's what may have done it? [00:12:29] Speaker B: Yeah, I think so. And, and I think, you know, she was just there felt very flattered. I mean she, she had a sense, she had really good self esteem. I thought, you know, she has this successful career. She has a fabulous wardrobe, car. I mean she has, like you said, mo. She has it all. I'm thinking, if she has it all, what would cause her to endanger all that and go after this guy on such. I mean, wow. I mean, it got to the point where she couldn't even hide it. [00:12:59] Speaker A: Right. [00:12:59] Speaker B: The guy shows up at her house and she doesn't even hide it. I'm thinking, what, she's lost her mind? [00:13:05] Speaker A: Right, Right. So this is when they first meet. And like I say, she's his publisher. Okay. And they, like I said, they met serendipitously. Is that right? By accident. Okay. Surreptitiously. I don't know. But by accident. I think I'm getting confused. But they made it by accident. Attraction. He knows she's. Well, eventually he finds out on a slick that she's married. You know, she. She does not present herself as a married woman. That's what I'm trying to say. Okay. Or am I wrong? Did I misread that? [00:13:40] Speaker B: Ooh, I don't recall. [00:13:42] Speaker A: I don't think she did. Probably not, because you. Look, Georgie, answer me this. As a woman, you know when a man is into you, right or wrong. [00:13:56] Speaker B: Right. Easily. [00:13:59] Speaker A: And so, yeah, I mean, and you know, when you enter a man, am I right or wrong? [00:14:05] Speaker C: You're right. [00:14:06] Speaker A: And she. As soon as that man. And so we're like nine minutes. And this is on the Love Love Channel. This is literally the name of the channel. Love Love Channel. So go visit it there and look at it. She. And so we're gonna look at some of the body language. I would play it, but YouTube's been funny with the copyrights and stuff like that. But. So I just want to give us some clips of the. Of the body language and stuff. So let's see if it'll. And some of the conversations. Let's see if it'll. So I'mma pause our good music. Dj, I'm going need you to pause that, homeboy. And let's look at some of the dialogue and the body language between these two. [00:14:46] Speaker D: We can work together. [00:14:48] Speaker A: Good. [00:14:49] Speaker C: I hope you're not doing anything next Thursday or Friday. [00:14:51] Speaker D: I'm training for the Alcatraz race. It's a mile and a half swim across the bay. [00:14:56] Speaker C: Have you ever done this before? [00:14:57] Speaker D: Don't worry. If I don't make it, it'll help the sales of the book. [00:15:02] Speaker C: Okay, here's the deal. Sacramento, the Michael Jackson show. [00:15:06] Speaker D: Michael Jackson show, huh? [00:15:08] Speaker C: I will send it. [00:15:08] Speaker A: Not the star, just a talk show. [00:15:11] Speaker C: The car for you. [00:15:12] Speaker D: My favorite on the air. Intellectual. [00:15:14] Speaker C: This man has won seven Emmys. He really does his homework. He asked some very tough questions. [00:15:19] Speaker A: Shout out to the native son back there, the author. [00:15:24] Speaker C: So you better be ready for him. [00:15:26] Speaker D: I think that he better be ready for me. [00:15:29] Speaker A: Okay, so let me just set this up. So she's setting up a trip for him to go to Sacramento to. To go do this talk show. All right, so. And girl, the clothes in here will kill her. Let's stop and look at her dog on clothes. Look at this. Georgia, what do you think about this outfit? Girl, she giving all kind of 40s hat. Noir, huh? [00:15:53] Speaker B: I'm not able to see the clip for some reason. [00:15:56] Speaker A: Oh, no, let me. Oh, y', all, I'm sorry. Here we go. There we go. [00:16:00] Speaker B: Oh, there you go. There you go. [00:16:02] Speaker A: Okay, so look at this outfit. She was dressed to kill. The men were dressed to kill as well. I'm not even gonna sit up here and lie to them. Look at this outfit. She had furs and stuff. It was gorgeous. Look at this hat. [00:16:15] Speaker B: Oh, every outfit. Yeah, every outfit. It was just. [00:16:18] Speaker A: It's so 80s. The height of 80s opulence. Okay, look at this. Wait. Was trying to stop it on the hat. Yeah, girl, look at this. Got to see who did the wardrobe. Norman would love this. Oh, yeah. Look at this high collar coat. And you could still. This, you could still wear this today and be fan freaking tastic. So anyway, okay, so this is what I'm talking about. Here we go with the doggone. Going to the doggone hotel like we saw in It's My Turn. What's the old saying? Nothing good happens after 12 o'. [00:16:56] Speaker B: Clock. [00:16:57] Speaker A: Okay, so let's take a look at this. [00:17:02] Speaker C: Building. [00:17:03] Speaker A: Is that a pantsuit? I'm sorry, guys, I'm going back and forth. I believe it is pantsuit girl. I love pantsuits. Don't look good on me, but I love a good pantsuit. You look good in pantsuits. Oh, thank you. [00:17:20] Speaker B: Fielding. [00:17:20] Speaker A: Love it. [00:17:23] Speaker D: Wait a second. [00:17:24] Speaker A: Feeling like Zara. [00:17:25] Speaker C: You have a lot of nerve, Mr. Hollander. [00:17:28] Speaker D: Does that surprise you? [00:17:29] Speaker C: No, it doesn't surprise me. What surprises me is that you didn't come out and name names. You didn't say Claire Fielding. [00:17:33] Speaker D: Well, I just didn't have time to. Mr. Jackson, cut to a commercial. [00:17:38] Speaker A: So here we go. Georgia, what do you think about this? That intense. That, that. That intensity. And he's unpredictable. As opposed to her husband, who she's been married to forever. That's total opposite, right? Do you think that has something to do with it? [00:17:56] Speaker B: Maybe so. Yeah, because you know, everything was just too maybe easy and uneventful in her marriage. And this was such a contrast. I'm not giving her excuses. There's no reason for doing that. But I think she found with this guy, you know, good looking, there was some intensity and, dare I say, passion developing here. And so I think that he was kind of a challenge to her. And they felt. They felt things heating up there. [00:18:26] Speaker A: Now if you all go back and look at our It's My turn video and shout out to all the people who looked at it and liked it on our YouTube channel, thank you so much. We really appreciate it. This is the same person, her character and Kate that are literally the same person. Because Michael Douglas's character and it's My turn is Jack Scalia's character and the other lover. Yeah. So now, Georgia, I'm gonna touch a nerve with the. With the females. With the females, the whammons. Why do we do this? Or is it just human being human? Because we know men do this. We know everybody has affairs. The statistics is that I believe men and women cheat at the same rate. I think women, men and men might be slightly higher by like one tick or something, but there's 26 versus 28 or saying something like that. So, you know, people cheat, doesn't matter. Nobody has a monopoly on that. But since we're women and we're talking about women, why would a woman who has it all. Why do you think? Oh, and the it's my turn woman. Why do. I don't know if you can answer this, but I guess you already answered that. But girl, why? It just doesn't make any sense to me. [00:19:46] Speaker B: Well, I think every woman wants to feel appreciated and loved and she wants to feel beautiful and desirable, and men are all too ready to exploit that. And I think she was probably getting plenty, you know, from her career and her marriage. But I mean, I think the aspect of the danger involved in it and it was just. It's like forbidden fruit. It's like, I know I shouldn't go there. I know I shouldn't, but it's tempting. It's the. It's giving into the temptation of it. And here is this, like, undeniably handsome man. He's very talented as a writer, and she knows he desires her and he just really puts the pressure on and she just. In a moment of weakness, and then that's when everything starts to crumble down and she can't extricate herself from it. You know, some women will say, okay, I messed up. I gotta Pull back. I gotta stop it. I did wrong. She doesn't. She just keeps on going. [00:20:59] Speaker A: I am going to slightly disagree with you. Okay, let's let this scene play and maybe that'll. This will see why I just slightly disagree. [00:21:13] Speaker C: All right, I'm listening. [00:21:14] Speaker A: Okay, so they In a hotel. She was in her room. They couldn't sleep. He called her and she came down there. Here we go. [00:21:23] Speaker D: Face to face. [00:21:28] Speaker A: He is gorgeous. [00:21:31] Speaker B: Oh, yeah. [00:21:31] Speaker A: I mean. Sorry. He came down there by her. I'm sorry. [00:21:34] Speaker D: Nice room. Who do you know? [00:21:37] Speaker C: Well, do. Make yourself at home. [00:21:38] Speaker A: Thank you. Now, Georgia, here we go again. What did I say? And it's my turn. [00:21:46] Speaker B: Yep. Letting him in the hotel room. [00:21:49] Speaker A: This guy is a all. You know him as, as. As an author. This dude could be a serial killer. Got bodies buried in several basements, but here you go. All right. And you are a married woman. So let's. Let's see if she's this naive, helpless, big time businesswoman making big time everyday business deal. But she's just so naive and helpless and he's taking advantage of her. Let's see who's taking advantage of whom. [00:22:22] Speaker D: I had no intention of hurting you. I want you to know that. [00:22:25] Speaker C: Hey, it's okay. Don't worry about it. I'm over it. [00:22:27] Speaker D: No, you're not. [00:22:28] Speaker A: Yes, I am. [00:22:28] Speaker D: No, you're not. [00:22:30] Speaker A: Okay, so they go back and forth with that bullshit. I mean that stuff. And so let's just. Oh, anyway. [00:22:37] Speaker D: What's this? [00:22:38] Speaker A: My new pony. And I love him. [00:22:40] Speaker D: Yeah, no, no, no, thank you. [00:22:42] Speaker A: I ran the numbers off. Mute that till it gets back to that. Okay, let's go back to this because this is really the. The gist of. Well, this foolishness starts pure foolishness. [00:23:05] Speaker C: Doing. [00:23:05] Speaker D: That's true. Do that. [00:23:09] Speaker C: You have no idea what I'm capable of doing. [00:23:12] Speaker D: That's true. But I'd like to find out. What's this? [00:23:18] Speaker B: My new pony. [00:23:20] Speaker A: So look. Oh, no. What is this? Sorry about that. Okay, sorry about that. Yeah. So that is the most viewed part of the doggone. Let me get back to it. So, Georgia, already. We already established women and men know when they're attracted to each other. Why. Why are you there? And look, when he said that girl. Okay, well, needless to say, this happened. Okay, look, look, look at it. No, I mustn't. [00:24:14] Speaker B: You know, there's so many double entendres there that they're dropping, I think. And you know, the thing is, once you just like let him have that little foot in the door, man, she should have just said, you cannot come into this room. No. [00:24:31] Speaker A: Good night, Georgia. You still making it seem like this man has some Sven Golly type. He. He's sexy as hell, and she ain't blind, so that's the only powers he has. She has the ability to see. And he can't help being sexy, so. [00:24:48] Speaker B: He can't help it. [00:24:49] Speaker A: But when to me, when you have already. The roots of her disrespect, of her marriage were already there. She just needed him to come and plow her garden. But we're gonna move on. So I. I just. And see, I think too, because she's in a position of power over him. So what I appreciate about this movie. See, we've seen this story a million times, and. But now the. The power dynamics have shifted because normally he would be the little secretary or whatever, and he'd be the ball. She'd be the boss. The male chasing him around the, you know, the desk or whatever, or sleep with me, or you gonna get this job. So. And of course, this is post feminism. This is like the early 80s. And women are more in these positions of power in these jobs. So this is the zeitgeist of the time. So let's just hurl and get the rest of the mood now. [00:25:43] Speaker D: You really want me to? [00:25:46] Speaker C: Yes. [00:25:49] Speaker A: I'm sorry. Let's see what he said. [00:25:51] Speaker C: No, I think you better leave now. [00:25:55] Speaker D: You really want me to? [00:25:58] Speaker C: Yes. Jack, I can't do this. Yes, you can. [00:26:10] Speaker A: Yes, you. Yes, you can. You will. And, girl, if I. If Jack Scalia would have been an actor, I'd be like, oh, wait, I gotta do this again. I ain't do that, right? I be like, cut. I gotta do this again. Wait, let me. Let me. I was in a wrong angle, grabbing and kissed him so many times. All right, so, Georgia, what do you think? This is the most replayed scene in the whole movie. What do you think? And I love. Lindsay Wagner was a really good actress. What do you think about this? [00:26:38] Speaker B: Okay. Did you just play it just now? I didn't see that. [00:26:41] Speaker A: Okay. I am so sorry, guys. Yes, well, you heard it, so let me do it again. This going to be so heavily edited, this video. I'm. We're. Thank God we're not live. Oh, my gosh. Georgia, let me know. You can't see it. I'm thinking you can damn see it. Oh, my gosh, that's so funny. Okay, so let's go back. [00:27:18] Speaker D: Do that. [00:27:19] Speaker C: You have no idea what I'm capable of doing. [00:27:21] Speaker D: That's true. But I'D like to find out. [00:27:33] Speaker C: I think you'd better leave now. [00:27:36] Speaker D: You really want me to? [00:27:39] Speaker C: Yes. Gorgeous. Jack. [00:27:48] Speaker D: What? [00:27:48] Speaker C: I can't do this. Jack, please. [00:27:51] Speaker A: I can't. [00:27:52] Speaker B: I can't. [00:27:52] Speaker C: I can't do this. Jack. [00:28:04] Speaker A: All right. What do you think about that? [00:28:06] Speaker B: Oh, my God. [00:28:08] Speaker A: It's better when I actually show it to you, ain't it? [00:28:11] Speaker B: It's better. [00:28:16] Speaker A: Oh, my God. [00:28:18] Speaker B: And hearing this smooching noises. [00:28:19] Speaker A: Right. Well, anyway, what do you think about that? How you like them apples? It's like. [00:28:29] Speaker B: Like your mouth says no, but your eyes say yes. [00:28:32] Speaker A: Absolutely. Something else saying yes, too. Let's be real. I mean, something else humming. [00:28:40] Speaker B: You just couldn't believe her when she said no. [00:28:42] Speaker A: Exactly. [00:28:44] Speaker B: He just didn't believe her. [00:28:46] Speaker A: Well, she. Cause she don't believe it. She's just. Girl, Stop. That's all I can say. Just. All of this could have been avoided if she just stayed in her room, and he'd have stayed in hers. I mean, well, he is staying in her. He had stayed in his. But does he look like he's coercing her? That's. That's all kidding aside, I know you're. [00:29:14] Speaker B: Gonna disagree with me on this, but, yes, I think to a certain extent. [00:29:20] Speaker A: He is now coercing and seducing two different things. [00:29:25] Speaker B: Okay. [00:29:27] Speaker A: All right, so which would. [00:29:29] Speaker B: Well, maybe not to the. Okay. Seducing, yes. Coercing, no. By that definition, no. [00:29:36] Speaker A: Right. Because she has the power dynamic. [00:29:39] Speaker B: She does. [00:29:40] Speaker A: Oh. And now if he. He could get physical with her and he's not. Not. You know, he is getting physical, but not like that. So I just think he seduced her, but you got to want to be seduced or go through with the seduction because he's a gorgeous guy and blah, blah, blah, he's intense. He's different from her husband, which is at the main root of it. We already said that. But I. You know, I'm the only person married right now on this call, this podcast, rather anchor. I just cannot even imagine. Like I said, we have a great marriage. I would not even go away alone with a man. So, first of all, why is she going away alone on a trip with a dude? I don't care if we took separate planes or whatever, but we wind up in the same hotel. It does to me. Doesn't pass the smell test. But even if you had to stay in the same hotel, once that guy crosses the threshold, once he comes to your door, you don't even open a damn door. What are you doing? So, like I said, she down with it, baby. That's how I look at she down with it. I'm gonna scrub through it. So I so of course they have their affair and he becomes obsessed with her. And this, this bra have a nerve because she still wanna do the family thing. So hit it, girl. Her beautiful family still won't be mom and wife and, and all this bull just, just treacherous in my opinion. And so look at him. So he sort of. So normally it would be the woman. So this is before Fatal Attraction. I getting f Attraction vibes about this. Georgia, what about you? [00:31:26] Speaker B: Oh, yeah. [00:31:33] Speaker A: So why do you think this man is so turned out by her? Why? O. [00:31:43] Speaker B: I don't. Oh boy. I don't know. I'd like to hear your take on it. [00:31:47] Speaker A: Ah, he pee whipped. He he. And by pee, I mean power. Get your mind out the gutter, Georgia. And the rest of you all. I meant power. [00:32:02] Speaker B: Okay. [00:32:05] Speaker A: Georgia, you not buying it? I'm trying. I am now. I'm trying to sell it. I I thanks. Just all kind of sex, the power dynamic. And I think he really fell in love with her now. What do you think? [00:32:26] Speaker B: I thought it was an obsession. I, I love not so sure it was that. I felt that it was like he wanted to. He did have a very seemingly more of an empty existence where she had so much. [00:32:46] Speaker A: Yeah. [00:32:46] Speaker B: So I can see why he would fall for her. Yeah. And I think that might be the answer to your question about like why he was so, you know, wanting her that much. You know, he was pretty lonely and. [00:33:00] Speaker A: Okay. Okay. Yeah. [00:33:02] Speaker B: He seemed to have like. He started to really lean on her at different times. Yeah, he started to really lean on her. There was just, it was to make up for this emptiness. He thought this affair would just really give him what he needed as an author, as an inspiration. And also all the other things that he was lacking in his life that were, they were his fault really. I didn't see that. I didn't see him as that sympathetic. I felt like his life is empty because he made it that way. [00:33:37] Speaker A: I, I totally agree with you. And I'm a stop short of saying empty. It wasn't. Something was missing. Yeah. [00:33:48] Speaker B: It wasn't fulfilling. [00:33:49] Speaker A: It wasn't fulfilling because he had great friends. He really did. But he and I. And so there's this term and I think YouTube doesn't like this word, but it kind of rhymes with intel. But switch out the the T for a C. But it's what they call men who live a life and a lot of men do this, this solitary life sexless life, single men, and they're not fulfilled, like you're saying. And this guy, as gorgeous as he is, you think he'd have women jumping in and out the window and out of bed. But, you know, he's not that guy. He's not. She's the one who's the wild one. He's not a wild. He wants a relationship. And so, because he wouldn't start just honing in on her, Georgia, you hit it right on the head. She's feeling a void for him. And I wish he could have taken that. That void and directed it as somebody who was actually available. So with that being said, I think she's taking advantage of him. What do you think? [00:34:59] Speaker B: I think, yes, to a certain extent, you know, because, you know, he has this goal. He is involved in this swim competition where they're swimming to Alcatraz and back, and he's been training for that every day. He has a buddy who's got a good head on his shoulders and all that, but he still cannot tear himself away from her because there's something. Yeah, I feel like something's really missing for him. And. And so he looks to her like, you are going to be my life, my everything she becomes. And that's the kind of like the roots of the obsession that he has. [00:35:34] Speaker A: You hit the nail right on, sister. Look at the fur girl. I just. She's just kidding. She's not flamboyant. She's so chic and sophisticated. Yeah. Whoever dressed her. So I don't know if this was that. That upper San Franciscan elite look or this was just the 80s look. Georgia, do you remember this time? Is this how women dressed or this is just regional? Because I know you're a California girl as well, but. Or is this just regional? This is how. Because, I mean, she giving me Dynasty vibes without all the too over the top. But is this how women dressed in the 80s or this was just this woman? [00:36:10] Speaker B: I. Yeah, this is 80s. Yeah, definitely. [00:36:13] Speaker A: Okay. It's just gorgeous. And so I'm just fast forward. And so look. So he popping up. He don't belong. And look at. Look, look at her face. She looked freaking mortified, but she terrified and turned on at the same time. You know what I mean? [00:36:34] Speaker B: Oh, yeah. [00:36:35] Speaker A: She a piece of work. I am going to. You go look at this on the Love Love Channel. And this is what Georgia was saying. His friends right here, his great friends, he had. He owns a Italian restaurant and he has a beautiful family, and they're the ones who swimming. So he has support. But a lot of men want relationships. That's not true. But like men with sense want relationships, but for whatever reason, it doesn't happen, you know. But we were showing the family dynamic and girl. Okay, y', all. So the friend right here, the enabler, there's a scene where Lindsay. Lindsay Wagner's character plans to get away with Jack Scalia, his character, and they have it hooked up, right, Georgia, because. Because the husband was going to try to go with her, but he couldn't make it because he had surgery or something like that. But then. So she said, okay, cool, me and my man can go. So her and the man girly at her. Jackson clear. They, you know, they go in a separate car, they're gonna meet at the airport. Then the husband can all of a sudden make it. So the husband, who's just a great guy, nothing bad. Well, Georgia, do you. Do you finding a fault in the husband? I'm saying that. What do you think about the husband? [00:38:01] Speaker B: No obvious falls. I. I just was looking and I didn't really see anything. You know, I mean, the guy has a career and he's trying to support his family. But, you know, being in that profession, you know, being a cardiologist, you are going to be on call and you are going to be away at different times and you can't predict it. So I. I really didn't find it. I seemed to be a pretty good dad too, you know. [00:38:28] Speaker A: Yeah, that's right. Girl. I can't with these women. I just can't. So. So this is her finding out that the husband is coming. Girl, you'd have thought somebody. They said one of her. I think she had less reaction if one of her children died, that her husband. Now she got to be bothered with her husband and not Jax Kalia. So this is her telling him Jack Scalia say, bro, plans have changed. So let's see. [00:38:57] Speaker D: Hi, this is Jack Hollander. Leave a message and I'll. [00:39:00] Speaker A: Oh, girl, she look like she's sick, like she gonna vomit. Oh, girl. So there's the mad dash to try to head him off at the pass because her and her husband are going to the airport. So then she calls old dinghy friend to go. Girl, this was insane. What did you think about this scene whilst they're doing it? What do you think about this scene? Look at this. Look. [00:39:31] Speaker C: Oh, no. [00:39:31] Speaker A: This broad running a 40 yard dash or whatever they call it. Y' all both a bunch of tramps to go stop Jack Scalia to tell him no come. Girl, that's what I thought girl was in here screaming Run, Betty, run. So girl they on the high. Girl was in a cry, laughing. So this poor Jack Scalia. Look at him, he is so unaware. Look at him, girl, she about to break his heart. Oh my God. Watch how she runs to the airport like O.J. simpson back in the day about to get a ticket. Oh, I can't. I can't. My friends a whore. I got got. [00:40:28] Speaker B: I don't care. [00:40:30] Speaker A: My friends is total. Have to go and stop her from getting losing everything. Opposite officer. That's okay. [00:40:42] Speaker C: Mr. Clinger. Mr. Charles Klinger, please pick up the white courtesy tele. [00:40:47] Speaker A: Girl, this was just too much for me. [00:40:49] Speaker B: Oh, the music that they play, the dramatic music. [00:40:54] Speaker A: You would have thought. Go ahead, Georgia. What? [00:40:57] Speaker B: I was laughing. You know I caught this on Lifetime. [00:41:04] Speaker A: Right? You would have thought she was carrying one of the children's. An organ for one of the children. Save their lives. [00:41:15] Speaker B: A little cooler. [00:41:16] Speaker A: It's a little cooler. It's in her bag. It's in her purse. I said these women. Girl, this was outward. Girl, I laugh. This was not supposed to be funny. Girl, I laughed so hard at this. But that's the woman code. They want to always talk about. G code, men code. Girl, women have that code too. And we will cover for each other's bad behavior and not hold each other accountable. In black world, they call it city. Girls are for the streets. Like I said. And it's my turn. I don't care if you're Polk Avenue or MLK Boulevard. If you for the streets, you for the streets, okay? I don't care how you're dressing up with diamonds and pearls and furs. You are a disreputable woman. So look, look, look, look. This. So this was really good too. So there. So she go tell a dude. Let me see. She find. She the friend. Find the dude. And girl break. Girl just puncture his whole little heart. [00:42:22] Speaker C: Mr. Charles Klinger, please pick up the white courtesy telephone. Are you Jack Hollander? [00:42:33] Speaker D: Yes, I am. [00:42:35] Speaker A: Thank God. Are you the victim when I railed it? [00:42:39] Speaker B: For immediate loading and unloading. [00:42:41] Speaker D: You drove all the way from Tiburon to tell me? [00:42:43] Speaker A: Yes. [00:42:45] Speaker D: You're a good friend, Kate. [00:42:47] Speaker A: So is Claire. Now, Georgia, would you have done that? Now be honest, Georgia, if it was me, would you have done what the. [00:43:00] Speaker B: Friend did if it was for you, Moya? Yeah, I would have. [00:43:03] Speaker A: Georgia, that's terrible. [00:43:05] Speaker B: I know it is. [00:43:06] Speaker A: I know. [00:43:08] Speaker B: I know it is. And I know two wrongs don't make a right. I know it. I know it. [00:43:13] Speaker A: But you turn into a black woman at church to black. You turn into black church praying. Oh my gosh. I had this situation twice where somebody put me in the middle of the. Of an affair and it was both freaking family members. So it was worse. Georgia, one of them was at my wedding and. And I was in the middle of it. But at my wedding I didn't stutter and I was in the middle of it by proxy and someone else took care of us. One of my girl. Like I said, these women or disreputable women. I'm trying to use. Be. Be good and not use the language. But yeah, at my wedding want to bring her boyfriend and your husband at. At the wedding. And somebody else squashed that. Then also at my rehearsal dinner, a cousin wanted to bring same thing. Two different. Two different disreputable women. Two for the streets women. And. And how dare you do this at my wedding. So yeah girl. And so I told the one at my rehearsal dinner, I told her absolutely not. No way. Because how I' ma laugh and kiki in your husband's face and then let you bring your boyfriend. That girl. That's disgusting. And so, you know, and just flip it. Would. Would this be okay if men did this? You know, we'd be outraged. You'd want to tar and feather everybody. So. Yeah. But thank you for. Thank you for being a friend. [00:45:03] Speaker B: That's just purely out of friendship. Moya. I mean, a part of me was saying like, you know, this isn't the time or the place for this big blow up to happen and in public like this. But a part of me is, Sam, you made your bed, now you gotta lie in it. [00:45:20] Speaker A: Absolutely. [00:45:21] Speaker B: I'm not gonna cover for you. You got. This is your mess. You created it. I mean, I know that. I mean, I honestly do know that. But I would have thought. Oh, this isn't. [00:45:29] Speaker A: No. [00:45:29] Speaker B: For her husband and the lover and together at the airport. Oh my God. [00:45:34] Speaker A: No, I would have. Well, I told you what. I'd have stood out of it. I would have advised you. I skipped over this guys in the movie. But I would advise you like, Georgia, don't do this. You know, why don't you talk to your husband about ABC123 that makes you feel compelled to do this? But I would have not condoned that. I would not have supported you in that. And if that makes me a bad friend, I'm. I'm a bad friend because it's immoral. And then why the heck you won't drag me into that. You know, you're not being a friend of me. Don't put me in the middle of that. That's how I look at it. [00:46:10] Speaker B: No, you're right, Moya. Absolutely. [00:46:12] Speaker A: You're right. [00:46:12] Speaker B: You're right. I, my reaction was out of friendship, you know, but I see what you're saying. Don't ask me to do it again. [00:46:20] Speaker A: Well, I know, but I, but I do get your point, right? Because you would not want a scene under these circumstances. I, I totally get you under that. I totally get that. And look, good thing this dude was a cool headed dude because he still could have made a scene, you know, But I get you trying to do damage control and I agree with you. Like don't, don't ever ask me to do this again. I, I was told. So I see what you're saying in that regard. So look at this scene right here. Let's see, girl. And then we going to stop and y' all got to go look at the rest of it because we got to get to this other movie, the White Zone. Look at this part where they pass each other, girl. I was like, oh my gosh, what did you think about that scene? Oh my gosh, the. [00:47:29] Speaker B: Oh my gosh, that was, that was beyond awkward. I don't have words for that. It was like you were this close. This close. [00:47:40] Speaker A: Oh my God, right? [00:47:42] Speaker B: Does that, I mean, your conscience, can you imagine? [00:47:45] Speaker A: Oh, could you have like kept it together? [00:47:49] Speaker B: Oh, oh gosh. Probably not as well as her. I would have tried, but not as well as her. But oh my God, what a situation. I can't even. Ah, see. [00:48:01] Speaker A: And the poor husband, girl, he don't know what's going on. I mean, how could he? She's a hell of a liar and got her friends covering for her and, and kudos to her. She was. So is this what the women mean? Having it all in a work life balance? Is that what you mean? Like I said last week, how these women managed to have sex with the girl, that is disgusting. With two. But, but you know what? Somebody ain't getting nothing and it's going to be the husband. Because I've heard from people like somebody's going to be neglected and it's going to be the husband and be by him working so much, they probably don't have a lot of sex anyway. So if he, if he rolled over in the middle, middle of the night and you know, happy days are here again, then that's good enough for him probably, you know, so that's, you know, they were trying to go, trying to get away. He would have had that romantic. And lessen all the distractions. So. So. But yeah, that's still. Girl, that's so gross to me. And I don't know if I'm, you know. Audience let us know if I'm too much on a high horse. I know, but it's. It's physically is disgusting. Oh, you know what I mean, Georgie, am I. Am I doing being hyperbolic? What do you, you know, do you know what I'm saying? [00:49:12] Speaker B: No, it strikes me the same way too. [00:49:15] Speaker A: Really. [00:49:16] Speaker B: Seriously. It does. [00:49:17] Speaker A: It's really gross. We are running out of time. I. Georgia, we got 10 minutes. Let's try to fit in another upstanding female of high moral purpose, or whatever the word is. Half moral. Upstanding. She led two lives and I don't. We only got 10 minutes. Georgia. Should we. Should we try to squeeze it in? Squeeze it in in 10 minutes or just come back to it? [00:49:45] Speaker B: Probably better come back to it, I guess. [00:49:47] Speaker A: Okay. [00:49:48] Speaker B: Oh, no, I changed my mind. Let's go ahead. [00:49:50] Speaker A: Okay. [00:49:50] Speaker B: Let's go for it. [00:49:51] Speaker A: Yeah, let's go for it. I think we can do it in 13 minutes. We got 13 minutes, I think. Yeah, 13 minutes. All right, so let me go to our next. Like I said, just fantastic women all the way around. Just fan freaking tasty. So here's the lovely kind of Celica and she led two lives. And again, these movies are free on YouTube or wherever you can find them. But I saw it on YouTube and 1994. Like I said, we're going in order. So here's the gorgeous Connie Celica, the handsome, even he's a silver fox. Perry King, who leaves Perry King. [00:50:32] Speaker B: I know, right? [00:50:35] Speaker A: Like in the words of Bette Davis, who. Who leaves Joseph Cotton, who leaves Perry King. And he's another doctor, I think. [00:50:45] Speaker B: I believe so. [00:50:46] Speaker A: Okay. And a Martinez girl. These men are aging like fine wine. I don't know if they still look like that, but they were very good looking men. And shout out to a Martinez because he was one of the first successful Hispanic actors who had a super long career who could really do anything. So he's been around for a minute. I don't know if he's still acting. Y' all guys let us know in the comments. But anyway, so you can see with the pictures, this broad is a bigamist. I think we touched on that last time. So of course she's. Her original marriage. She had been married to no kids. Perry King, I think like two years in the story. Then she reconnects with A Martinez's character. He's a childhood or like a teenage sweetheart or something. And let me get this off of here before I press the wrong thing. And so let's share this real quick. And so Georgia, tell me what you thought about this movie. And it's based on a true story by the way. Go ahead. [00:51:50] Speaker B: It was. This movie is a riot to watch. It is an absolute hoot. I laughed myself through this movie so much. [00:51:59] Speaker A: Why? Why did you laugh at it? [00:52:02] Speaker B: She was doing a juggling act and I would just like in the suspense in there. It was incredible how she managed. She doesn't have. She's. Oh my God. The way she had these two men at the same time. I mean, Mary did two men at the same time. I mean that's just mind blowing. This is a very intelligent professional woman. [00:52:25] Speaker A: Yes, same. Same bro. These three women are the same. Now the three headed monster on this Hedra, this whole hydra, she. Hydra, whatever you call it there to say there's the same three heads. [00:52:39] Speaker B: And. And you see how it's just kind of gradually she gets pulled into this and you're just telling her, you go. [00:52:50] Speaker A: Again saying she got pulled into it. And guys, anybody listening or watching you are more than welcome to comment, like share, subscribe and disagree with us. Okay, now what do you mean by being pulled into. Tell me, what do you mean by that? [00:53:04] Speaker B: She just doesn't all of a sudden say, oh, okay, well, even though I'm married to somebody else, I'm gonna. I think I'm just gonna marry this other person. It doesn't happen quite that like that. And it shows that she just at times could have said, no, I'm pulling the plug on this, so stop. You know, but she just gets caught up in it. I know the way I describe it, but it just snowballs. It's like a domino. It just got. It picks up speed and then momentum just. Just goes so fast for her. And she's. Yeah, I mean she's totally. The way she does these two men is. It's horrible. [00:53:50] Speaker A: It's horrible. [00:53:51] Speaker B: It's horrible what she does it. I felt so sorry for the two men. Both of them. Both of them. [00:53:57] Speaker A: I did. They were the victims in this because unlike the Lindsay Wagner movie, a Martinez, the second husband, he had no clue that she was married. Okay, so the show, the movie starts off with showing her getting arrested for a big man. Like I said, this is based on an actual event. I don't know if it was as elaborate as this, but this movie I thought did a Disservice to women. I don't know if it's the way they wrote this or produced or directed it, but were they on purpose trying to make this woman look like a. Because she looked like she was. For all her book smarts, man, she was stupid. [00:54:40] Speaker B: I agree. [00:54:41] Speaker A: Almost childlike. Yeah, that's what I want to say. She was almost childlike with her emotions and impulses. I mean, did you read that? [00:54:50] Speaker B: Oh, yeah. Oh, yeah. It. I was shocked and surprised at the way she kept making. She had two decisions in front of her, and. And it would seem obvious, and she always chose the wrong one. [00:55:02] Speaker A: Every time. Oh, my God. Why every time? Right, right. And shout out to Patricia Clarkson, fellow New Orleans native. Her mom, Jackie Clarkson, long time. Really a pioneer in women politics in New Orleans. And. And I think at some point, she may have went national with her. Politics just died this week. Jackie Clarkson. So shout out to the. The. The Clarkson family for. For their work in New Orleans. But yeah, Patricia Clarkson, wonderful actress. Solely underrated, but yeah. So they're having an anniversary dinner, and he just gave her a bracelet and all this stuff. So let's listen now. Here we go with these bad friends. RIP Kevin Samuels, he said, single women keep women single. Now, even though this broad is married to this dude right here. But she. She for the streets, too. I don't care. Look at the nails and a manicure and a beautiful hair for the streets. So they had the anniversary little dinner, and here we go with this. [00:56:12] Speaker C: When we've been married seven years. [00:56:17] Speaker A: I didn't think it was possible, but I love you more today than the day we were married. Oh, you poor man. [00:56:23] Speaker C: To Jeffrey, in this unpredictable world, you are my safety net. [00:56:29] Speaker A: Wow. Now, what's the ding, ding, ding? What's the word for the day? Class? Safety. Women do not like safe. That's boring when you're for the streets. Okay? That woman ain't made a word of what she said. You're gonna see that she lying right now, y'. All. He is not telling the truth. That champagne, I wish it had some truth syrup in it. Cause she said, jeffrey, I'm gonna F over you like you've never been effed over effing real. Oh, liar. She got that black on, cuz she a black widow. [00:57:06] Speaker C: I hope Harvey and I are as happy as you, girl. [00:57:09] Speaker A: Harvey like he want to throw up, huh? [00:57:12] Speaker B: Oh, yeah. [00:57:14] Speaker C: When we've been married seven years. [00:57:16] Speaker A: Let's go. And so she, like I said, she. She. She's for the street. She's. Rhymes with Rhymes with mo. You know that to Jeffrey, the best partner I ever had. Practicing medicine with you is almost as much fun as playing golf on a good day. So they're at their party and you know, and so he's gonna get a call. Like you said, this is the life of a doctor. So he gets called away on a call and has to leave and blah blah, blah, blah, blah blah. And anniversary to max out my gold card. So you could just see this lovely couple here. So they don't even have any good role models around. And these two people hate each other. So giving all that negative vibe. So this is. Now look at this girl here. I loved her because she was the jiminy Cricket of this all. She kept trying to warn her. Are you crazy? Are you? What are you doing? So even when you have these warning side, these women are so selfish and narcissistic. They gonna do them, as they say, projects already. So anyway, this broad is a research scientist, blah blah. So I'm gonna speed up to. So her dad dies, okay? He's sick and just on the bigger side like the other lady, they have these relationships with their father. And so Georgia, talk about that dynamic if you will. They have these great relationships. So I don't know if it's a dad issue, but why are they so terrible with men? [00:59:00] Speaker B: Gosh, that's a great question. And I wish I had a ready answer for you on that. You know, I think maybe her dad, if he was still around, maybe he could have, you know, been a, a, some kind of a sounding board for her, the voice of reason. And say, what are you doing? Don't do this. My God, I'm your dad. I care. This is dangerous. And it's only going to lead to heartbreak or somebody getting shot. [00:59:25] Speaker A: Right on, right on, right on. So she goes. So she lives in the city, but she works in the suburbs. So she just happened to see a Martinez's character and they reconnect. So this is that encounter. And I'm going to cuz we are really up against it. A little funky friend. Now do that look like that bald head fat man to you? That's her husband. [00:59:49] Speaker B: No, no. [00:59:50] Speaker A: Heck no. So this is who she calls for advice. So she got this broad on one shoulder, the devil. Then she got the other friend, the angel, you know, giving her guidance. And you see which one she listens to. So guys, we are at an hour. We try not to keep you. Go and look at this movie. She marries both of them and impulsively as well. And both of these men look at this man here. He. They have she at the house with the other man, with a Martinez sitting up there lying on the phone, talking softly on the telephone. Shout out to the. The great blues song, cheating in the next room, cheating and cheating in the next county, telling him whatever BS you got to tell him. And then a Martinez knowing she about to get plowed by a Martinez. These bras ain't but Georgia. In last analysis, all these women real, Are they. Are they reflective of all kiddoside of women in our society? [01:01:03] Speaker B: Well, I'm hoping that it's a small minority. Sad but true. There are. Yes, yes. There are women who do this kind of a thing. They will tap dance and they bring lying to an art form. And they want. Yeah, both. They just. Yeah. [01:01:24] Speaker A: And, and go ahead. [01:01:27] Speaker B: And you know, it's. Maybe it's because it's maybe a double standard here, but for me, you know, for some reason, you know, we're used to hearing about a man cheating and all that, but when these women do it, it just seems so much more tawdry. And I don't know why it strikes me that way, but it's a double. [01:01:50] Speaker A: Standard because women, I. I agree with you. It's more tawdry because I think women still are expected to have a level of sexual morality, femininity and reservation about that. Because I think. And what's behind that? Because we know that the women have the children and they're supposed to be the caretakers of the family. And when you go out in this risky behavior, there's a high. And I think it's up on a subconscious level. We know that the. Inevitably, inevitably, the family is at risk. Ergo, society is at risk. Is that fair? I can't answer that because a man will go out and do. And I totally agree with you. He will not face as much scrutiny as a, as a woman. And that's a whole other conversation. But, but that's what I think. What do you think about what I just said? [01:03:00] Speaker B: I have to agree with you, Moya. [01:03:02] Speaker A: Yeah. [01:03:02] Speaker B: Even though it is sounding like a double standard, but actually that's true because a lot more can happen. I was thinking to myself, what if she got pregnant? How would she be able to explain that baby doesn't look like me? I mean, I thought there's just so much the, the only thing that I thought was good, unlike Lindsay Wagner in the previous movie that we did, this woman didn't have kids. [01:03:27] Speaker A: Right. [01:03:27] Speaker B: I thought that was only a good thing, you know, can you imagine how horrific that would have been with kids, which some women do. [01:03:34] Speaker A: They're crazy enough to be. Yeah, yeah, yeah. [01:03:37] Speaker B: So you can see where it's the breakdown of the entire society of the. I mean, you can see if too many people do this, how it's just. It just ruins so much. [01:03:51] Speaker A: It does. It does. And I'll say this in the final analysis, you said about if she got pregnant. Well, she slipped Perry King a Martinez's jacket, so I think she would be okay slipping a baby on. I don't think. I think that was. Look, I wouldn't be surprised if the jacket was a metaphor for a baby girl. When she gave that man that man jacket and that man figured out our parakeet. Girl, I want to slide under the bed, I was like. I was speechless. And that's. That takes a lot to make me speechless. As y' all can tell. Girl, Georgia. And we gonna get out of here. What did you think about her giving that man a jacket? [01:04:40] Speaker B: I thought, wow. Oh, my God. No, no. Oh, my. That's that expression that you just showed. Oh, my gosh. It was just. [01:04:52] Speaker A: No, that's insane. No, I think. [01:04:58] Speaker B: You don't think that you're gonna get found. And it did. It came back to bite her and haunted her. Oh, my God. [01:05:05] Speaker A: It did. It did. It did. So, guys, go and check that out. Thank you for hanging in with us for this. This really long after hours Late to the Party. Thank you for hanging out with us. And. And Georgia, always thank you for hanging out with me. And you know, you always. This is a Bette Davis thing. You know, you always can come back. And I think I found another movie for us, but I cannot remember what it is. So I'll work on that. But guys, thank you for another episode of Late to the Party. So go and check out she Led Two Lives and the Other Lover. Let us know what you think. Don't forget to subscribe, share and like all of our content and on our how better David saved my life. I'm not sure if when this will be uploaded, but we just finished Yankee Doodle Dandy, so you can go watch that on. Well, we'll. That'll be uploaded. I don't know, guys, because I don't know when it's going to be put out, but we got Citizen Kane coming up and Destry Rise Again for so Citizen Kane is at the end of this month and then Destri Rise Again is the beginning of next month. So I don't know where this. This video is going to fall, but be looking for those movies George, is there anything else you want to say before we get out of here? You. You want another drink as well? [01:06:30] Speaker B: I think maybe I should go for a mojito this time girl. [01:06:33] Speaker A: Yeah, I need something straight. I just want straight. Jack. After listening, I need to drink some bleach. Cause these bras are filthy. The funky filthiness of it all. [01:06:44] Speaker B: Well you guys, I had such a good time. Moya, this was so much fun. And thank you, lovely Moya for inviting me too late to the party. It was a blast. [01:06:54] Speaker A: Well, always a great time. For a good time call Georgia and Moya. And yes, I am drinking tea guys, because this is the tea we, we got in on it on here. So thank you guys for hanging out with us. Catch us on our Facebook lives at 1pm Central Standard Time. Our whole schedule is parked on our Facebook page. And I don't know when we'll do another late to the party, but you know, I will always let you know. So have a great time time, enjoy the rest of this July and the summer weather. So for late to the party, I'm Moya. [01:07:30] Speaker B: And I'm Georgia. [01:07:31] Speaker A: We can't wait to see you next time. Thank you again guys. See you soon.